The Age of Atheists

Resumen del libro

Since Friedrich Nietzsche roundly declared that God is dead in 1882, a raft of reflective and courageous individuals have devoted their creative energies to devising ways to live without Him, turning instead to invention, enthusiasm, hope, wit and, above all, various forms of self-reliance. Their brave, imaginative story has gone untold until now. In The Age of Atheists, acclaimed historian Peter Watson offers a sweeping narrative of the secular philosophers and poets, psychologists and scientists, painters and playwrights, novelists and even choreographers who have forged a thrilling, bold path in the absence of religious belief.

Synthesizing nearly a century and a half of recent history, The Age of Atheists is a stunning, magisterial celebration of life without recourse to the supernatural.

From Paul Valéry and George Santayana to Richard Rorty and Ronald Dworkin, from Georges- Pierre Seurat and Constantin Brâncusi to Jackson Pollock and Robert Rauschenberg, from André Gide to Philip Roth, from Rudolf Laban to Merce Cunningham, from Henrik Ibsen to Samuel Beckett, from Wallace Stevens and Rainer Maria Rilke to Elizabeth Bishop and Czeslaw Milosz, from Sigmund Freud and Benjamin Spock to E. O. Wilson and Sam Harris, The Age of Atheists brilliantly explores how atheism has evolved, deepened and matured, and gained unprecedented resonance and popularity as it has sought to replace an unknowable God in the afterlife with the voluptuous detail and warmth of this life, to be found in art, philosophy and science, all woven into a rational, secular morality.

Atheism has had its share of ideologues, tyrants and charlatans, but it is above all a history of brave accomplishment and one that is far from finished.

Biografía del autor

Peter Watson nació en 1943, es historiador y periodista. Estudió en las universidades de Durham, Londres y Roma. Fue nombrado editor de New Society y formó parte durante cuatro años del grupo Insight de The Sunday Times. También ha sido corresponsal de The Times en Nueva York y ha escrito para The Observer, The New York Times, Punch y The Spectator. Es autor de trece libros, entre los que destacan Historia intelectual del siglo XX (Crítica, 2004), Ideas. Historia intelectual de la humanidad (Crítica, 2008), La gran divergencia (Crítica, 2012), La edad de la nada (Crítica, 2014) y Convergencias (Crítica, 2017); y ha presentado diversos programas de televisión sobre arte. Desde 1998 es asociado de investigación en el McDonald Institute for Archaeological Research, en la Universidad de Cambridge.<br>