Editorial University Of Minnesota Press
Fecha de edición diciembre 2002
Idioma inglés
EAN 9780816642366
355 páginas
Libro
encuadernado en tapa blanda
The only unexpurgated collection of Katherine Mansfield's private writings.
Katherine Mansfield (1888-1923) published three collections of short stories'In a German Pension, Bliss, and The Garden Party'during her tragically short life, and was acclaimed as one of modernism's most daring and original writers. After her death from tuberculosis in France, Mansfield's private writings and letters were edited by her husband, John Middleton Murry, and published in four volumes between 1927 and 1954. Murry, however, took liberties in recasting his wife's journals and notes. He excluded most of the vast mass of material and revised much of what he included, resulting in a distorted image of Mansfield as a passive, ethereal spirit.
More than four decades later, the real Mansfield finally emerges in The Katherine Mansfield Notebooks, the first unexpurgated edition of her private writings. Fully and accurately transcribed by editor Margaret Scott, these infrequent diary entries, drafts of letters, introspective notes jotted on scraps of paper, unfinished stories, half-plotted novels, poems, recipes, and shopping lists offer a complete and compelling portrait of a complex woman who was ambitious and at times ruthless, neurotic and sexually voracious, witty and acerbic, fascinated with the minutiae of daily life and obsessed with death.
Katherine Mansfield (Nueva Zelanda, 1888-Francia,1923) fue una gran escritora que quiso trascender los límites de su tiempo y se reveló como una artista de la palabra. Trabajó sus cuentos como artefactos que trascendieran: bien por la temática: el paso del siglo XIX al XX, las consecuencias de la Primera Guerra Mundial, bien por el lenguaje utilizado, sus observaciones precisas, la sutil belleza, la elegancia de su estilo narrativo. Publicó tres libros de cuentos Preludio, Je ne parle pas français, Felicidad y La fiesta en el jardín). A esto se suman sus cuentos dispersos en diversos medios, muchísimas notas (más de 120 reseñas), un libro de poesía (conocido de forma póstuma), sus cartas, un Diario canónico (editado -y manipulado- por su marido: John Middleton Murry) y sus papeles dispersos.
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