The First World War

Resumen del libro

One hundred years later, the First World War has returned to public consciousness, often through republished photographs of its horrors: the muddy trenches, the devastated battlefields, the maimed survivors. Because the most popular cameras of the time were the Vest Pocket Kodak and other crude film cameras, the "look" of that Great War is grainy, blurred, and monochrome. This book presents a startlingly different First World War, one seen through rare glass plate photographs made by the war's most gifted cameramen, selected and digitally restored by Magnum photographer Carl De Keyzer. Scanned from the original plates, with scratches and other flaws painstakingly removed, these oversized reproductions reveal the war in uncanny and previously unseen clarity. Also startling are the unfamiliar scenes selected by De Keyzer and elucidated by historian David Van Reybrouck: staged scenes of men in training (and of children imitating them), dramatic industrial photographs, landscapes of astonishing destruction, pictures of African colonial troops on the Western front, and postmortem portraits of thirteen Belgian soldiers killed in battle on the second day of the war. A quarter of the photographs in this book are in color, made with the autochrome process. The book includes a preface by Geoff Dyer, who refers to "the extraordinary power and surprise of this hoard of photographs" and discusses the disconcerting temporal effects of seeing such unusual pictures of a historical event we strongly associate with entirely different imagery.


A century after it began, we still struggle with the terrible reality of the First World War, often through republished photographs of its horrors: the muddy trenches, the devastated battlefields, the maimed survivors. Due to the crude film cameras used at the time, the look of the Great War has traditionally been grainy, blurred, and monochrome'until now. The First World War presents a startlingly different perspective, one based on rare glass plate photographs, that reveals the war with previously unseen, even uncanny, clarity.

Scanned from the original plates, with scratches and other flaws expertly removed, these oversized reproductions offer a wealth of unusual moments, including scenes of men in training, pictures of African colonial troops on the Western front, landscapes of astonishing destruction, and postmortem portraits of Belgian soldiers killed in action. Readers previously familiar with only black-and-white or sepia-toned prints of the hostilities will be riveted by the books many authentic color photographs, products of the early autochrome method. From children playing war games to a wrenching deathbed visit, these images are extraordinary not only for their subject matter, but also for the wide range of emotions they evoke.

Accompanied by a preface from celebrated writer Geoff Dyer and an essay by historian David Van Reybrouck, the photographs here serve both as remarkable witnesses to the everyday life of warfare and as dramatic works of art in their own right. These images, taken by some of the conflicts most gifted photographers, will radically change how we visualize the First World War.