The Dead Ladies Project

Resumen del libro

Jessa Crispin's first book--a work of literary nonfiction about drifters. Crispin's own peregrinations and rootlessness are legendary to the blogger's many fans and readers. As Crispin sees it, the problem with most books about drifters is that they do not understand, or really get at, the longing of someone without a permanent address. Crispin investigates the energy created between person and place, using her own search for a new home and a string of fascinating personalities that have always captured her fancy. Together with her dead ladies Crispin visits the places that were important to them (Paris, Berlin, Trieste, London, Moscow, Sarajevo), and that become important to her, too. These chapters, each devoted to a single person, are filled with ghosts and literature and history, but they are equally alive with the sights and smells and sounds of today.


When Jessa Crispin was thirty, she burned her settled Chicago life to the ground and took off for Berlin with a pair of suitcases and no plan beyond leaving. Half a decade later, shes still on the road, in search not so much of a home as of understanding, a way of being in the world that demands neither constant struggle nor complete surrender.

The Dead Ladies Project is an account of that journey'but its also much, much more. Fascinated by exile, Crispin travels an itinerary of key locations in its literary map, of places that have drawn writers who needed to break free from their origins and start afresh. As she reflects on William James struggling through despair in Berlin, Nora Barnacle dependant on and dependable for James Joyce in Trieste, Maud Gonne fomenting revolution and fostering myth in Dublin, or Igor Stravinsky starting over from nothing in Switzerland, Crispin interweaves biography, incisive literary analysis, and personal experience into a rich meditation on the complicated interactions of place, personality, and society that can make escape and reinvention such an attractive, even intoxicating proposition.

Personal and profane, funny and fervent, The Dead Ladies Project ranges from the nineteenth century to the present, from historical figures to brand-new hangovers, in search, ultimately, of an answer to a bedrock question: How does a person decide how to live their life?