The Antinomies of Realism

Resumen del libro

Antinomies of Realism is Jameson's major study of the nineteenth-century realist novel from a comparative perspective, covering the major literary traditions of Western Europe and the United States. It reviews the most influential theories of artistic and literary realism-and takes an approach based on the social and historical preconditions for its emergence. These combine an attention to the body and its states of feeling as well as to the categories of individualism and temporality (or history). They are studied in a range of major authors, including Zola, Tolstoy, Perez Galdos, and George Eliot.

The very notion of such a synthesis or symbiosis implies the approach of a moment in which its two basic impulses begin again to separate, and this explains the gradual supersession of classical realism in the novel by the various forms of what we call modernism. A coda then explains the survival of "realistic" narratives after the end of classical realism-it is in effect a proposal for the study of popular fiction and mass culture.

Biografía del autor

Jameson, the William A. Lane Jr. is Professor of Comparative Literature and Professor of Romance Studies at Duke University.<br>Jameson received a Ph.D. from Yale in 1959 and taught at Harvard, Yale, and the University of California before going to Duke in 1985. He is the author of Postmodernism, or, The Cultural Logic of Late Capitalism (1991, which won the MLA Lowell Award), Seeds of Time (1994), Brecht and Method (1998), The Cultural Turn (1998), and A Singular Modernity (2002). His recent works include Archaeologies of the Future (2005) and The Modernist Papers (2007). He received the 2008 Holberg Prize for his scholarship.