No Enchanted Palace

The End of Empire and the Ideological Origins of the United Nations

No Enchanted Palace

Mazower, Mark

Editorial Princeton
Fecha de edición enero 2013 · Edición nº 1

Idioma inglés

EAN 9780691157955
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Resumen del libro

No Enchanted Palace traces the origins and early development of the United Nations, one of the most influential yet perhaps least understood organizations active in the world today. Acclaimed historian Mark Mazower forces us to set aside the popular myth that the UN miraculously rose from the ashes of World War II as the guardian of a new and peaceful global order, offering instead a strikingly original interpretation of the UN's ideological roots, early history, and changing role in world affairs.
Mazower brings the founding of the UN brilliantly to life. He shows how the UN's creators envisioned a world organization that would protect the interests of empire, yet how this imperial vision was decisively reshaped by the postwar reaffirmation of national sovereignty and the unanticipated rise of India and other former colonial powers. This is a story told through the clash of personalities, such as South African statesman Jan Smuts, who saw in the UN a means to protect the old imperial and racial order; Raphael Lemkin and Joseph Schechtman, Jewish intellectuals at odds over how the UN should combat genocide and other atrocities; and Jawaharlal Nehru, India's first prime minister, who helped transform the UN from an instrument of empire into a forum for ending it.
A much-needed historical reappraisal of the early development of this vital world institution, No Enchanted Palace reveals how the UN outgrew its origins and has exhibited an extraordinary flexibility that has enabled it to endure to the present day.

Biografía del autor

Mark Mazower (1958) es un historiador de origen britax{0026} x00301;nico especializado en historia de Europa del Siglo XX. Actualmente es profesor titular en la Universidad de Columbia (Nueva York), donde ademax{0026} x00301;s dirige el Heyman Center for Humanities. Ha ensenx{0026} x00303;ado en Princeton o la Universidad de Sussex entre otras. Su obra ha sido galardonada con numerosos premios internacionales, como el italiano Acqui Storia, el britax{0026} x00301;nico Wolfson Prize for History o el Runciman Prize. Es colaborador habitual en medios como el 'Financial Times', 'The Guardian', 'The New York Times' o 'The Independent'. Sus artix{0026} x00301;culos son traducidos en Espanx{0026} x00303;a de manera habitual por el diario 'El Paix{0026} x00301;s'. 'La Europa negra' probablemente sea su obra max{0026} x00301;s celebrada y, por su tesis central, la max{0026} x00301;s polex{0026} x00301;mica y controvertida.





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