Must we Divide History into Periods?

Resumen del libro

The final work of a brilliant historian urges a long view of human civilization and greater skepticism toward what we call revolution.
We have long thought of the Renaissance as a luminous era that marked a decisive break with the past, but the idea of the Renaissance as a distinct period arose only during the nineteenth century. Though the view of the Middle Ages as a dark age of unreason has softened somewhat, we still locate the advent of modern rationality in the Italian thought and culture of the fifteenth and sixteenth centuries.

Jacques Le Goff pleads for a strikingly different view. In this, his last book, he argues persuasively that many of the innovations we associate with the Renaissance have medieval roots, and that many of the most deplorable aspects of medieval society continued to flourish during the Renaissance. We should instead view Western civilization as undergoing several "renaissances" following the fall of Rome, over the course of a long Middle Ages that lasted until the mid-eighteenth century. While it is indeed necessary to divide history into periods, Le Goff shows us that the meaningful continuities of human development only become clear when historians adopt a long perspective. Genuine revolutions--the shifts that signal the end of one period and the beginning of the next--are much rarer than we think.

Biografía del autor

Jacques Le Goff, (Toulon, 1924) historiador de la Edad Media que ha vinculado su carrera docente a la École des Hautes Études en Sciences Sociales. Representante destacado de la Nouvelle Histoire, de la tercera generación de la Escuela de los Annales, Le Goff ha abordado en su obra los temas fundamentales del medievo, desde todos los puntos de vista posibles. En sus escritos combina historia, antropología y sociología con la historia de la cultura y de los sistemas económicos. Jacques Le Goff nos habla de esa "otra Edad Media" que tan a menudo queda fuera de los libros de historia. En 2004, Jacques Le Goff recibió el Heineken Prize de Historia de la Real Academia Holandesa de Artes y Ciencias.