Miaow

Resumen del libro

A Dickensian tale of ambition, family, and financial ruin by the most important Spanish novelist after Cervantes, this tragicomic novel about a patriarch struggling to keep his ungrateful family from ruin is at turns scathing and hilarious.Ramoacuten Villaamil has been a loyal civil servant his whole life, but a change in government leaves him out of a job and still two months short of qualifying for his pension. Initially optimistic that hell be able to find work and pull his family out of their financial straits, he spends his days visiting the Administration, pestering his ex-colleagues to put in a good word for him, and begging his friends in high places for money. At home, Villaamils wife, daughter, and sister-in-lawwhose feline appearances earn them the nickname the Miaowsare unimpressed by Villaamils failures, and the only joy left in Villaamils life is his young grandson Luis. When Luiss disgraced father, the handsome and dastardly Viacutector Cadalso reappears in their lives with promises of easing their financial burdens, Villaamil has no choice but to allow him back into their midst, even as he knows there is nothing pure about Viacutectors intentions, and that his return could bring them all to ruin.Comparable to the best of Balzac and Dickens, Benito Prez Galdoacutess satire of lower middle-class life offers a scathing critique of the hypocrisy and corruption within nineteenth-century Spanish society as well as a potent exploration of the value of human life outside of work. Margaret Jull Costas inimitable translation captures all the tragicomic vitality of Prez Galdoacutess prose, and proves that he is indeed the best Spanish writer of the nineteenth century Mario Vargas Llosa.

Biografía del autor

Benito Pérez Galdós (Las Palmas de Gran Canaria, 1843-Madrid, 1920) contaba treinta años y solo había publicado tres novelas cuando inició los Episodios nacionales. Bachiller en Artes en Tenerife, se trasladó en 1862 a Madrid para estudiar Derecho y se integró rápidamente en la vida cultural de la capital, cultivando amistades, asistiendo al Ateneo, participando en tertulias, siguiendo los estrenos teatrales y, a partir de 1865, escribiendo en la prensa, con algún viaje al extranjero y el abandono final de los estudios en tiempos de la Revolución de 1868. En ese período se fragua su primera novela, La fontana de oro, publicada en 1870. Después, y durante más de un lustro, lo absorberían las dos primeras series de los Episodios (1873-1879), tras las cuales abandona la novela histórica para dedicarse, durante casi veinte años, a novelar lo contemporáneo, y regresar a aquella en el cambio de siglo.