 
					
					
					
					
					
				
				
					
						Editorial Pushkin Press
	
					
					
					
					
					
					
					
					
						Fecha de edición  marzo 2017  · Edición nº 1
					
					
					
						
						
							
						Idioma inglés
							
							
							
						
						
						
						
						
						
						
						
						
					
			    	EAN 9781782272298
					
						
						224 páginas
					
					
					
						
					
						Libro
						
							encuadernado en tapa blanda
						
						
						
						
					
					
					
						
					
					
					
								
					
					
						
As Europe faced its darkest days, Stefan Zweig was a passionate voice for tolerance, peace and a world without borders. In these moving, ardent essays, speeches and articles, composed before and during the Second World War, one of the twentieth century's greatest writers mounts a defence of European unity against terror and brutality. These haunting lost messages, all appearing in English for the first time and some newly discovered, distil Zweig's courage, belief and richness of learning to give the essence of a writer; a spiritual will and testament to stand alongside his memoir, The World of Yesterday.
Brief and yet intense, they are a tragic reminder of a world lost to the 'bloody vortex of history', but also a powerful statement of one man's belief in the creative imagination and the potential of humanity, with a resounding relevance today. "At a time of monetary crisis and political disorder, of mounting border controls and barbed-wire fences...Zweig's celebration of the brotherhood of peoples reminds us that there is another way" The Nation "One of liberalism's greatest defenders" New Republic "Zweig's impassioned pursuit of personal freedom seems more relevant than ever" Newsweek "These essays, few in number but rich in content, reveal the essence of Zweig's thought. ..Messages from a Lost World is ably translated from German into English for an American readership by Will Stone, making it an extraordinary and highly recommended addition to community and academic library collections" Midwest Book Review "In pieces from the 1920s and early 30s, Zweig takes it as a moral imperative to champion the cause of peace by reminding his readers and listeners that humanity could no longer afford the sort of belligerent nationalism that had led them into the Great War" Inside Higher Ed "While it is disheartening to read these pieces today, knowing how Zweig's life ended, it is inspiring to see that they have been published.
However defeated Zweig might appear to contemporary readers, however aloof or naive, his idea of the European soul is still worth defending" Northwest Review of Books Stefan Zweig was born in 1881 in Vienna, a member of a wealthy Austrian-Jewish family. He studied in Berlin and Vienna and was first known as a translator and later as a biographer. Zweig travelled widely, living in Salzburg between the wars, and enjoying literary fame.
His stories and novellas were collected in 1934. In the same year, with the rise of Nazism, he briefly moved to London, taking British citizenship. After a short period in New York, he settled in Brazil.
It was here that he completed his acclaimed memoir The World of Yesterday, a lament for the golden age of a Europe destroyed by two world wars. The articles and speeches in Messages from a Lost World were written as Zweig, a pacifist and internationalist, witnessed this destruction and warned of the threat to his beloved Europe. On 23 February 1942, Zweig and his second wife Lotte were found dead, following an apparent double suicide.
Much of his work is available from Pushkin Press.
Stefan Zweig es un bio grafo peculiar. Escoge personajes poco probables, figuras extremas, movidas por obsesiones y lacerantes contradicciones internas. Personajes que, como Fouche o Magallanes, se encuentran envueltos en momentos cruciales, cuyas decisiones desencadenan, de una forma u otra, consecuencias imprevisibles con repercusiones enormes. Tambie n la de otros, como von Kleist o Nietzsche, en cuya hondura, soledad y melancoli a parece que retrata Zweig la suya propia. En el caso de Nietzsche, el retrato de los tormentos del genio, el sentido moral con el que mira a la verdad, captan parte del drama interno del autor y del que este percibe en el destino de la Europa de posguerra que tiene ante si .
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