Lolly Willowes

Resumen del libro

Su visión de la mujer es la que otorga a esta novela esa vertiente subversiva que la emparenta con la obra de Jane Austen y Virginia Woolf .

SARAH WATERS



Lolly Willowes, de veintiocho años, está aún soltera cuando tras la muerte de su adorado padre pasa a depender de sus hermanos. Tras ocuparse de todo durante demasiado tiempo, decide escapar de su constreñida existencia y se traslada a una pequeña aldea en Bedfordshire. Allí, feliz y sin trabas, no tardará en descubrir su verdadera vocación: la brujería. Y junto a su gato y al más inesperado de los aliados, Lolly será, por fin, libre.



Publicada en 1926 con un éxito inmediato, Lolly Willowes es la primera y más mágica creación de su autora. Deliciosamente irónica y sugerente, la obra supuso un corrosivo alegato a favor de la independencia de las mujeres, tema que, con una serena inteligencia y un genio subversivo, anticipó el tratamiento que de él harían más tarde escritoras modernas como Angela Carter o Jeanette Winterson.

Biografía del autor

Sylvia Nora Townsend Warner was born at Harrow on the Hill, Middlesex, the only child of George Townsend Warner and his wife Eleanor "Nora" Mary (née Hudleston). Her father was a house-master at Harrow School and was, for many years, associated with the prestigious Harrow History Prize which was renamed the Townsend Warner History Prize following his death in 1916. As a child, Townsend Warner was home-schooled by her father after being kicked out of kindergarten for mimicking the teachers. She was musically inclined, and, before World War I, planned to study in Vienna under Schoenberg. She enjoyed a seemingly idyllic childhood in rural Devonshire, but was strongly affected by her father's death. She moved to London and worked in a munitions factory at the outbreak of World War I.<br><br>In 1923, she met T. F. Powys, whose writing influenced her own and whose work she in turn encouraged.The two became friends, and her debut novel, Lolly Willowes, was published shortly after in 1926. From her first work, it was clear that Warner's focus was on subverting societal norms; she would later heavily use the themes of rejecting the Church, a need for female empowerment, and independence in her works. It was at Powys' home that Warner first met Valentine Ackland, a young poet; the two women fell in love, moving in together in 1930 and eventually settling at Frome Vauchurch, Dorset, in 1937. Her relationship with Ackland inspired much of Warner's works, including a published collaboration of poems, Whether a Dove or a Seagull, in 1933. Alarmed by the growing threat of fascism, they were active in the Communist Party, and Marxist ideals found their way into Warner's works. Warner participated in the II International Congress of Writers for the Defence of Culture, held in Valencia between 4 and 17 July 1937, while serving in the Red Cross during the Spanish Civil War. After the war, Warner and Ackland permanently returned to England, living together until Ackland's death in 1969. After Warner's death in 1978, her ashes were buried with Ackland's at St Nicholas, Chaldon Herring, Dorset.