Flight

Resumen del libro

Sherman Alexie is one of our most gifted and accomplished storytellers and a treasured writer of huge national stature. His first novel since Indian Killer is a powerful, fast, and timely story of a troubled foster teenager--a boy who is not a "legal" Indian because he was never claimed by his father--who learns the true meaning of terror. The journey for this young hero begins as he's about to commit a massive act of violence.

At the moment of decision, he finds himself shot back through time and resurfaced in the body of an FBI agent during the civil rights era. Here he will be forced to see just why "Hell is Red River, Idaho, in the 1970s." Red River is only the first stop in a shocking sojourn through moments of violence in American history. He will continue traveling back to inhabit the body of an Indian child during the battle at Little Bighorn and then ride with an Indian tracker in the nineteenth century before materializing as an airline pilot jetting through the skies today.

During these frantic trips through time, his refrain grows: "Who's to judge?" and "I don't understand humans." When finally, blessedly, our young warrior comes to rest again in his own contemporary body, he is mightily transformed by all he's seen. This is Sherman Alexie at his most brilliant--making us laugh while he's breaking our hearts. Time Out has said that "Alexie, like his characters, is on a modern-day vision quest," and this has never been clearer than in Flight, where he seeks nothing less than an understanding of why human beings hate.

Simultaneously wrenching and deeply humorous, wholly contemporary yet steeped in American history, Flight is irrepressible, fearless, and groundbreaking Alexie.

Biografía del autor

Sherman Alexie is a preeminent Native American poet, novelist, performer and filmmaker. He has garnered high praise for his poems and short stories of contemporary Native American reservation life, among them The Business of Fancydancing (1992), The Lone Ranger and Tonto Fist Fight in Heaven (1993), which won a PEN/Hemingway Award, and Smoke Signals (1998), a critically acclaimed movie based on one of Alexie's short stories and for which he co-wrote the screenplay. An acclaimed performer of his own work, Alexie held the World Heavyweight Poetry title for four years. He continues to perform many of his poems at poetry slams, festivals, and other venues, and has received praise for the energy and emotion he brings to his work.<br><br>A Spokane/Coeur d'Alene tribal member, Alexie grew up on the Spokane Indian Reservation in Wellpinit, Washington. Alexie was born hydrocephalic and underwent an operation at six months of age; he was not expected to survive. Though he lived through the experience, he was plagued with seizures as a child and spent most of his childhood reading. In the eighth grade, he decided to attend Reardan High School, located twenty miles outside the reservation. His achievements in high school secured his admission to Spokane's Jesuit Gonzaga University in 1985, where he had a successful academic career but began to abuse alcohol. Alexie transferred to Washington State University in 1987 and began writing poetry and short fiction. In 1990 Alexie's work was published in Hanging Loose magazine, a success he has credited with giving him the incentive to quit drinking. He has remained sober ever since.<br><br>In his short-story and poetry collections, Alexie illuminates the despair, poverty, and alcoholism that often shape the lives of Native Americans living on reservations. His poems, novels and short stories evoke sadness and indignation yet also leave readers with a sense of respect and compassion for characters who are in seemingly hopeless situations. Involved with crime, alcohol, or drugs, Alexie's protagonists struggle to survive the constant battering of their minds, bodies, and spirits by white American society and their own self-hatred and sense of powerlessness. As Alexie asserted in The Lone Ranger and Tonto Fistfight in Heaven, Native Americans have a way of surviving. But it's almost like Indians can easily survive the big stuff. Mass murder, loss of language and land rights. It's the small things that hurt the most. The white waitress who wouldn't take an order, Tonto, the Washington Redskins. While he depicts the lives of Native Americans who attempt to escape their situation through alcohol and other forms of self-abuse, Alexie's characters also access a mental, emotional, and spiritual outlet, which he refers to as fancydancing. <br><br>Alexie was named to Granta's Best of Young American Novelists list in 1996. Editor Ian Jack said the judges had liked his Alexie's work because it had something to tell us. Native American life, life on the reservation, is a pretty under-described experience. He added that fiction, if it's any good, should persuade you of individual and inner lives. Alexie's book wasn't sanctimonious or pious or a piece of political pleading it introduced you to characters who were native American and made them as complex and odd as everyone else.