Born into an upper-class New York family, Edith Wharton broke with convention and became a professional writer, earning an enduring place as the grande dame of American letters. This Library of America collection (along with its companion volume, Collected Stories: 1911–1937) presents the finest of Wharton's achievement in short fiction, drawn from the more than eighty stories she published over the course of her career.
Opening with her first published story—the charming "Mrs. Manstey's View," about a disruption in the life of an elderly apartment-dweller—this first of two volumes presents a writer, already at the height of her powers, beginning to explore the concerns of a lifetime. In "Souls Belated," two lovers attempt to escape the consequences of their adultery—a subject to which Wharton returns throughout her career. In "The Mission of Jane" (about a remarkable adopted child) and "The Pelican" (about an itinerant lecturer), she discovers her gift for social and cultural satire. Perhaps the finest of her ghost stories, "The Eyes," with its Jamesian sense of evil, is also included, along with two novella-length works, "The Touchstone" and "Sanctuary," revealing the dazzling range of Wharton's fictive imagination.
Also included in this edition are a chronology of Wharton's life, explanatory notes, and an essay on the texts.
Nació en Nueva York en 1862, en el seno de una familia acomodada. Educada con institutrices, abundantes lecturas y viajes al extranjero, se casó en 1885 y, en 1902, publicó su primera novela, The valley of decision, tras la que no dejaría de escribir hasta su muerte en 1937. Vivió en París a partir de 1907, donde acabaría estableciéndose. Durante la primera guerra mundial asumió arriesgadas tareas de ayuda a los aliados, por las que recibió, en 1915, la Legión de Honor. Reconocida en vida como la heredera de Henry James, Edith Wharton es hoy considerada como una de las grandes novelistas de la literatura norteamericana, autora de grandes títulos, entre sus cuarenta y seis libros de ensayo y ficción, como The House of Mirth (1905), Un hijo en el frente (1919), La edad de la inocencia (1920), y The Children (1928), títulos en los que destaca su maestría y su fina, pero no menos demoledora, sátira de los valores sociales establecidos.
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