Across the Pond

Resumen del libro

Terry Eagleton has a gift for the kind of generalizations that at first appear outrageous but seem, on reflection, annoyingly perceptive. Were I one of the expressive Americans he describes, I'd call this book awesome; as a constipated Brit, I'm inclined to say that it is not at all bad. Henry Hitchings, author of The Secret Life of Words

Americans have long been fascinated with the oddness of the British, but the English, says literary critic Terry Eagleton, find their transatlantic neighbors just as strange. Only an alien race would admiringly refer to a colleague as aggressive, use superlatives to describe everything from one's pet dog to one's rock collection, or speak frequently of being empowered. Why, asks Eagleton, must we broadcast our children's school grades with bumper stickers announcing My Child Made the Honor Roll ? Why don't we appreciate the indispensability of the teapot? And why must we remain so irritatingly optimistic, even when all signs point to failure?
On his quirky journey through the language, geography, and national character of the United States, Eagleton proves to be at once an informal and utterly idiosyncratic guide to our peculiar race. He answers the questions his compatriots have always had but (being British) dare not ask, like why Americans willingly rise at the crack of dawn, even on Sundays, or why we publicly chastise cigarette smokers as if we're all spokespeople for the surgeon general.

In this pithy, warmhearted, and very funny book, Eagleton melds a good old-fashioned roast with genuine admiration for his neighbors across the pond.

Biografía del autor

Terry Eagleton (Salford, Reino Unido, 1943) es profesor de Literatura Inglesa en la Universidad de Lancaster. Doctorado en el Trinity College de Cambridge, fue profesor en el Jesus College de la misma institución, en varios centros académicos de Oxford y en la Universidad de Manchester. Discípulo de Raymond Williams, Eagleton ha unido los estudios culturales con la teoría literaria, el marxismo y el psicoanálisis. Entre sus obras figuranLa idea de cultura (2001),El portero (2004),La estética como ideología (2006), El sentido de la vida (2008),Sobre el mal (2010),Terror santo (2008),El acontecimiento de la literatura (2013), Por qué Marx tenía razón (2015) y Cómo leer literatura (2016).