A Stranger in my Own Country

The 1944 Diary

A Stranger in my Own Country

Fallada, Hans

Editorial Polity
Fecha de edición noviembre 2014 · Edición nº 1

Idioma inglés

EAN 9780745669885
300 páginas
Libro encuadernado en tapa dura


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P.V.P.  33,10 €

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Resumen del libro

'I lived the same life as everyone else, the life of ordinary people, the masses.' Sitting in a prison cell in the autumn of 1944, Hans Fallada sums up his life under the National Socialist dictatorship, the time of 'inward emigration'. Under conditions of close confinement, in constant fear of discovery, he writes himself free from the nightmare of the Nazi years. His frank and sometimes provocative memoirs were thought for many years to have been lost. They are published here in English for the first time.



The confessional mode did not come naturally to Fallada the writer of fiction, but in the mental and emotional distress of 1944, self-reflection became a survival strategy. In the 'house of the dead' he exacts his political revenge on paper. 'I know that I am crazy. I'm risking not only my own life, I'm also risking the lives of many of the people I am writing about', he notes, driven by the compulsion to write. And write he does - about spying and denunciation, about the threat to his livelihood and his literary work, about the fate of many friends and contemporaries such as Ernst Rowohlt and Emil Jannings. To conceal his intentions and to save paper, he uses abbreviations. His notes, constantly exposed to the gaze of the prison warders, become a kind of secret code. He finally succeeds in smuggling the manuscript out of the prison, although it remained unpublished for half a century.

Biografía del autor

Hans Fallada (1893 x{0026}amp;ndash euros 1947) es el seudónimo de Rudolf Wilhelm Friedrich Ditzen. Se trata de uno de los autores alemanes más importantes del siglo xx , cuya obra se está recuperando en todo el mundo tras un injusto olvido. Hans Fallada escribió gran parte de Pesadilla, su penúltima novela, de febrero a agosto de 1946, durante sus estancias en psiquiátricos y hospitales. Paralelamente, ya había empezado el trabajo de investigación para su última obra, Solo en Berlín.





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