Will in the World

How Shakespeare became Shakespeare

Will in the World

Greenblatt, Stephen

Editorial Norton
Fecha de edición abril 2016 · Edición nº 1

Idioma inglés

EAN 9780393352603
438 páginas
Libro encuadernado en tapa blanda


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P.V.P.  14,50 €

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Resumen del libro

The Pulitzer Prize and National Book Award finalist, reissued witha new afterword for the 400th anniversary of Shakespeare's death.


The theatre for which Shakespeare wrote and acted was a cut-throat commercial entertainment industry. Yet his plays were also intensely alert to the social and political realities of their times. Shakespeare had to make concessions to the commercial world, for the theatre company in which he was a shareholder had to draw some 1,500 to 2,000 paying customers a day into the round wooden walls of the playhouse to stay afloat and competition from rival companies was fierce.
The key was not so much topicality - with government censorship and with repertory companies recycling the same scripts for years. Instead, Shakespeare had to engage with the deepest desires and fears of his audience. Will in the World is about an amazing success story that has resisted explanation: it aims to be the first fully satisfying account of Shakespeare's character and the blossoming of his talent.
There have, of course, been many biographies of Shakespeare. The problem each one faces is the thin amount of material surrounding his life. They lead us through the available traces but leave us no closer to understanding how the playwright's astonishing achievements came about.
The real-world sources of Shakespeare's language - of his fantasies, passions, fears, and desires - lie outside the scope of these earlier books. Will in the World will set out to recover the links between Shakespeare and his world and with them to construct a full and vital portrait of the man. Its purpose is to know the magician himself, as well as his magic tricks, and to experience the touch of the real.
It is a journey that centres on the perils and pleasures of Shakespeare's unfolding imaginative generosity - his ability to enter into others, to confer upon them his own strength of spirit, to make them live and breathe as independent beings as no other artist who ever lived has done.

Biografía del autor

STEPHEN GREENBLATT es John Cogan University Professor de Humanidades, uno de los títulos más distinguidos de la Universidad de Harvard. Es autor de varios libros, entre los que destacan El giro, con el que obtuvo el Premio Pulitzer y el National Book Award, El espejo de un hombre: vida, obra y época de William Shakespeare, o Ascenso y caída de Adán y Eva. Es además editor general de The Norton Shakespeare.




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