The Real Cool Killers

The Real Cool Killers

Himes, Chester

Editorial Penguin UK
Colección Modern Classics, Número 0
Fecha de edición marzo 2021

Idioma inglés

EAN 9780241521113
192 páginas
Libro encuadernado en tapa blanda
Dimensiones 129 mm x 198 mm


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P.V.P.  7,66 €

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Resumen del libro

The night's over for Ulysses Galen. It started going bad for the big Greek when a knife was drawn, then there was an axe, then he was being chased and shot at. Now Galen is lying dead in the middle of a Harlem street. But the night's just beginning for detectives Grave Digger Jones and Coffin Ed Johnson. Because they have a smoking gun but it couldn't have killed Galen, and they had a suspect but a gang called the Real Cool Moslems took him. And as patrol cars and search teams descend on the neighbourhood, their case threatens to take a turn for the personal. The Real Cool Killers is loaded with grizzly comedy and with all the raucous, threatening energy of the streets it's set on.

Biografía del autor

Chester Himes, in full Chester Bomar Himes, (born July 29, 1909, Jefferson City, Mo., U.S. died Nov. 12, 1984, Moraira, Spain), African-American writer whose novels reflect his encounters with racism. As an expatriate in Paris, he published a series of black detective novels.<br><br>The domination of his dark-skinned father by his light-skinned mother was a source of deep resentment that shaped Himes's racial outlook. The family's frequent relocations, as well as the accidental blinding of his brother, further disrupted his childhood. Himes attended Ohio State University. From 1929 to 1936 he was jailed at the Ohio State Penitentiary for armed robbery, and while there he began to write fiction. A number of his stories appeared in Esquire and other American magazines. After his release from prison, he worked at numerous odd jobs and joined the Works Progress Administration, eventually serving as a writer with the Ohio Writers' Project.<br><br>His first novel, If He Hollers Let Him Go (1945), details the fear, anger, and humiliation of a black employee of a racist defense plant during World War II. Lonely Crusade (1947) concerns racism in the labour movement. Cast the First Stone (1952) portrays prison life, and The Third Generation (1954) examines family life.





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