We shall speak. We shall sing. We shall shout.' This blazing autobiographical poem by the founder of the n gritude movement became a rallying cry for decolonisation when it appeared in 1939.
Following one man's return from Europe to his homeland of Martinique, it is a reckoning with the trauma of slavery and exploitation, and a triumphant anthem for Black identity, one which reclaims and remakes language itself.
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