All Shot Up

All Shot Up

Himes, Chester

Editorial Random House
Fecha de edición febrero 2024 · Edición nº 1

Idioma inglés

EAN 9780593686119
192 páginas
Libro encuadernado en tapa blanda


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P.V.P.  16,75 €

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Resumen del libro

In this gripping installment of the maverick Harlem Detectives series, Coffin Ed Johnson and Gravedigger Jones investigate a series of seemingly unrelated, brutal crimes.

A gold Cadillac, about as large as an ocean liner, rocks a woman to the pavement in the cold streets of Harlem. Three goons in cop uniforms heist a small fortune and leave an important politician dead. All told eight bodies stack up over the long, bloody weekend, but they won't spoil in this weather. And Grave Digger Jones and Coffin Ed Johnson have to follow the trail of brutal violence, perversion, and cold murder and avoid getting caught in the fray.

Biografía del autor

Chester Himes, in full Chester Bomar Himes, (born July 29, 1909, Jefferson City, Mo., U.S. died Nov. 12, 1984, Moraira, Spain), African-American writer whose novels reflect his encounters with racism. As an expatriate in Paris, he published a series of black detective novels.<br><br>The domination of his dark-skinned father by his light-skinned mother was a source of deep resentment that shaped Himes's racial outlook. The family's frequent relocations, as well as the accidental blinding of his brother, further disrupted his childhood. Himes attended Ohio State University. From 1929 to 1936 he was jailed at the Ohio State Penitentiary for armed robbery, and while there he began to write fiction. A number of his stories appeared in Esquire and other American magazines. After his release from prison, he worked at numerous odd jobs and joined the Works Progress Administration, eventually serving as a writer with the Ohio Writers' Project.<br><br>His first novel, If He Hollers Let Him Go (1945), details the fear, anger, and humiliation of a black employee of a racist defense plant during World War II. Lonely Crusade (1947) concerns racism in the labour movement. Cast the First Stone (1952) portrays prison life, and The Third Generation (1954) examines family life.





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